The movie is a shocker in so many ways. This is a horror movie trying to get at deeper things. Kristen Stewart, with smeared eyeliner et al, engages us in a performance that is impossible to ignore. The cinematography by Yorick Le Saux, especially as Maureen drives through drenched streets of Paris on her scooter, is beautiful. There are very few scenes that are self-indulgent. Somehow, in the end it all ties up neatly together. And, to boot, there is a perverse sex scene thrown in.
Maureen, played by Kristen, is not just a personal shopper for a rich model. She is also a spiritualist. After her twin brother dies, she is desperate to get a sign from him. The movie avoids all the cliches of the usual horror fare and goes for something much more philosophical. But this doesn’t mean that the movie doesn’t have its chilling moments. The breaking of a glass cup in broad daylight is perhaps, one of the most spooky moments, in the film.
The pic was screened in the competition section of the 2016 Cannes Festival. Olivier Assayas was chosen as one of the two best directors. I would love for you to see the movie.